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Soundtrack Review
FADE IN
by Thomas Golubic & Gary Calamar

Music That Mattered - The Top 25 Soundtracks

BEYOND THE SEA On the celestial shortlist of great crooners and showmen, people forget that Bobby Darin has a spot right there with Frank, Dean & Sammy. His short and tempestuous life (he checked out at thirty-seven from a heart defect) makes for fine cinematic fodder in Kevin Spacey's love-letter tribute. But unlike the biopic on Ray Charles, Spacey actually does the singing in the film and accompanying soundtrack. Now, this might seem like actorly self-indulgence and bluster, but Spacey's honed his pipes and delivery with years of musical theatre and pulls the task off admirably. A springboard for folks finding the glories of Bobby's originals -plus a great disc for any cocktail party.

FADE IN (magazine)
Volume 8, No. 2, Page 58

www.fadeinonline.com

~

Spacey Fan Kaye's Concert Story
Wayne Newton Theater
Stardust Hotel/Casino in Las Vegas
December 26, 2004

The theater was fantastic. It is in a semicircle facing the stage. The stage is connected on both sides to an aisle that runs through the audience. Also, a runway connects the stage to the top of the semicircle at the aisle. I hope that makes sense--it's a little hard to describe. I wish I could just draw it. Anyway, Kevin made full use of all of it. He was almost running up the runway at times! When he first came out, he said, "We've never had one of these before!" He started strutting up the runway & pretending to take off his jacket.

He started with Hello, Young Lovers like at all the shows. The second song was As Long As I'm Singing. He did quite a bit of dancing during the instrumental part of the song--ending with a complete turn (like on ITAS). At that point, he had the audience in the palm of his hand. I won't go into the songs he did because they have been talked about in all of the other reviews, but, he did put Bridge Over Troubled Water back in. The only song he did that I wasn't familiar with was Sail Away. The songs that got the biggest reactions were Mack the Knife (of course), Can't Take My Eyes Off You & Hi-De-Ho.

Kevin wore the tux with a brocade vest from the movie (he also wore it at Atlantic City). He was close enough to me at times that I could tell that the pattern on the vest was paisley. Several times he was about 6-8 ft from me. He began singing My Funny Valentine when he was standing in front of me. I was really surprised by my reaction to seeing him in person. I expected to have a surreal feeling like I did when I saw Paul McCartney in concert. But, with Kevin, I didn't. It felt so natural & right. I knew all of his moves, every expression, (almost) every note & joke. It felt like I saw him all the time!

There were two couples from Vegas sitting at my table. Befor the show, I had to jump in when I heard one of the women say, "I don't think he's ever done any singing before." I told them that, yes, he had done a song on the MGGE soundtrack in 97. She said, "He did?! Which song?" "That Old Black Magic" "Is that him? I have that CD but I never realized that was him!" I'd be willing to bet that after Sunday's concert, she bought the BTS soundtrack. A man & two women, also at our table, came to the concert from Chicago. I heard one woman say, "I don't know why he didn't come to Chicago." Of course, I had to answer that, too! "He was there on the 21st." She said she hadn't heard anything about it.

I also saw Dana Brunetti & Phil Ramone. They were sitting almost directly across from me. Dana's date really liked Can't Take My Eyes... She was dancing in her seat through the whole thing.

Near the start of the show, a woman yelled out, "You're hot." Kevin seemed embarrassed. Later, when he took off his jacket, she yelled, "Kevin, now you're even hotter." He said something like, "That makes it all worth while." After a few seconds, he said, "My manager can stop that now." Later, someone yelled, "Ventura still loves you, Kevin." He said, "I'll have to explain that later. We had our first show in Ventura & we're a lot better now."

As I was leaving, trying to catch my breath after the last encore (Hi-De-Ho), I heard an older man behind me talking about the show. He said, "It just doesn't get any better than that." On the way out of the Stardust, there was a girl on her cell phone. She said, "Yes, it was worth it! It would be worth $300 to see him!" Everyone I saw seemed to have really enjoyed the show.

I didn't stay around long after the show because my mother had been feeling bad & went back to the room instead of the show, so I thought I'd better check in on her. I did take a couple of minutes to take some more pictures of the marquee--this time at night with the lights. I sure hope at least one of them comes out. Oh, yeah, I forgot to tell you about the poster inside the Stardust. It was about 2ft by 5ft & was surrounded by blinking lights!

Oh, yes, souvenirs. They had the fliers like have been sold on ebay (the blue picture). There were also posters on the tables. Some tables I noticed had table tents, but, mine didn't.

All in all, the concert was worth every penny I spent to get there. I just wish that I could have stayed another day & seen Monday's, too.

December 30, 2004

~

Linda & Marian's Spacey Adventure
Bimbos 365 Club in San Francisco
December 5, 2004

I was lucky enough to get tickets to the San Francisco concert at Bimbos 365 Club. Here are my thoughts about attending this exceptional experience.

There are no adjectives to justly describe this concert. 

Outstanding? Extraordinary? Breathtaking?

None of these words are even close to describing this night.

Kevin was.... Kevin was... Kevin  was...good?

Sorry, that was a joke from the show. Kevin finished singing Bridge over Troubled Water. Beautifully,  I might add. Someone from the audience yelled, "You're good." Kevin turned toward the voice and said,  "Good?" Turning back  to the audience he said, "I can see the headlines in the San Francisco Chronicle:
'Spacey concert, he was good,' I can live with good, guess it's better than he sucked."

One of my biggest regrets is that I never saw Bobby in concert. By the time I was old enough to go see him in Vegas, he passed away.

For Darin fans, Kevin's show will bring back memories. Kevin adds so much of Bobby's shows and tapes that it's like watching Bobby. I may never have had the chance to see Bobby, but thanks to Kevin I did.

Kevin wore a tux....looking very sexy. Marian and I were right at the stage. Kevin sang in front of us all evening...well, for an hour and a half. A perfect location for him to sing to us.

We were close enough to see the gulp, the quiver of his chin. He told the story of how he "met" Bobby through his mom. How this movie was his mom's dream.

Then he mentioned that today was a very special day in his life. His mom, who died a year and a half ago, would have been 73. The concert at Bimbos was on her birthday. Kevin's sister was in the audience, and he dedicated If I Were a Carpenter to her. She was at a table near us. Kevin sang that song with such emotion...and beautifully, I might add...again.

The lady who was with us in line, sat behind Kevin's sister and she said his sister cried throughout the song, saying, "I didn't know he was going to do that."

Do not miss this show! If you can get tickets....GET THEM. It is definitely worth it!

Kevin did it all. 

sang
danced
played the harmonica
impersonations....and did it with such joy.

Audience members were calling out Bobby Darin songs. Kevin stopped...looked out at the crowd, and said, "Bobby would have been so pleased by this."

Roger Kellaway was amazing. Kevin may be the heart of this show, but Roger is the backbone.

Kevin sang songs from the CD, but a lot were just good old Bobby songs. He talked about Bobby recording over 300 songs, and how it was so difficult to pick the songs for the movie. He said it was even more difficult to try and narrow down the songs for the concert.

ALL I can say:  Kevin does Bobby proud.

On an added side note: Liss and I ordered flowers for Kevin and had them sent to the SF concert. We ordered 18 yellow roses (a Bobby Darin song). The card attached said:

Bravo Kevin.
Congratulations on attaining your Darin dream
Your fans at Driving Mr. Spacey! and Legacy-Unleashed.

Well, the official word is: The flowers were BEAUTIFUL.

We were concerned that a bouquet would not be delivered on a Sunday evening. So, Liss made me promise to investigate. I can safely say I should remain a teacher, since my PI abilities stink. With digital camera ready to capture the flower delivery van, the flowers, and the delivery person all the way to the stage door to prove they arrived, I didn't. I quickly found I had to resort to plan B.

I asked one of the gentlemen who worked at Bimbos if Kevin got a bouquet. 

Linda:  Excuse me, did some flowers arrive for Kevin?

Bimbo Guy:  Describe them.

Linda:  18 yellow roses.

Bimbo Guy: Yes, they arrived about 1 o'clock. They are beautiful and I am a man...but, they were beautiful. 18 long-stemmed yellow roses in a vase.  Beautiful.

Linda:  Any way you can take a picture of them for me?

Bimbo Guy: No, sorry.

Linda:  For some reason, I figured you'd say that, but I tried.

Marian: Any others flowers back there for Kevin?

Bimbo Guy: No just these, and Kevin is going to be so pleased
when he sees them. They are really beautiful.

Marian:  Is Kevin here yet?

Bimbo Guy:  You know I can't answer that question.

Linda: >>trying to look innocent<<  Ok, then, has Kevin seen the flowers, yet?

Bimbo Guy:  >>smiles<< No,  he hasn't seen them yet, but he will like them when he does. They are beautiful.

So...now I am really curious. Do you think those flowers were beautiful, or what?

Linda --- Hand Fetishes Inc. Legacy Unleashed.

~

Fan review by Kris
House of Blues Chicago
December 21, 2004

I drove nine hours to see this concert, listening to Kevin Spacey and Bobby Darin for most of the trip and singing along (I am sure some of the other drivers thought I was a lunatic on the loose!).  The performance that Mr. Spacey gave was just incredible. I do not possess the vocabulary to adequately express my intense enjoyment at the experience.  This man is the penultimate performer regardless of medium. I can only say that I was so overwhelmed with the live performance that I was unable to listen to the soundtrack on my return journey. I had been listening to the soundtrack almost exclusively since it's release with great pleasure but the fact of the matter is that the soundtrack simply paled when compared with the live performance. It has now been 36 hours since the concert and I hope I can listen to the soundtrack again.  Do you suppose if enough people contacted his agent requesting a DVD of one of the concerts that they would market one?  Should we try it? 

I cannot wait to see what Mr. Spacey chooses to surprise us with next.

~

Fan review by Jean Cullen
Rose Hall, Jazz at Lincoln Center, New York City
December 14, 2004

I was at Spacey's  New York Concert at the Rose Hall, Jazz at Lincoln Center.  It was spectacular.  Not only did he sing well, but, as Roger  Ebert said his review of "Beyond the Sea," (indeed, the main fault he found with the movie)  he sang  better than Bobby Darin).  Also,  he moved about the stage with incredible skill and grace, despite Stephen Holden's subsequent review of the movie stating that Spacey wasn't limber.    Not limber???  Come off it, Holden.   Spacey has always been limber.  Ask anyone who saw him  in "The Iceman Cometh."  As Hickey, he slithered around those tables in the bar like a dancer.   Anyway suffice it to say, that his performance in concert  was something for the ages--totally memorable.  I've been around for more years than I'd like to admit, and I've never experienced anything quite like it. 

~

Fan review by Pam Sosnowski
Somerville Theater
December 13, 2004

Killing Me Softly with His Song

OK, first off, let's just pretend for a moment that I wasn't a fan of either Kevin Spacey and I was unfamiliar with Bobby Darin's music. I still would have loved this show. It wasn't just great, it was SPECTACULAR. I think that anyone in that speculated position with an open mind towards music would have walked away with a huge grin on their face. The reason I can say that with confidence is because the first thing my mother said when it was over is that she enjoyed it even more than Tom Jones. And coming from my mother, that means a lot, because she is a huge Tom Jones fan, plus I took her to his concert last year. Without a doubt we agreed that this was the best live performance we have ever seen.

The theater itself was very easy to find - we parked at Alewife and took the T one stop to Davis, and it was literally right next door to the T. While this theater has clearly seen better days, as soon as we walked in I knew it was the perfect venue. It is so small and intimate, and the seats are slightly elevated. Even though we were in the second to last row on the floor, it felt so CLOSE. Possibly even closer than when I saw Paul McCartney at the Fleet Center. The atmosphere had a totally different feel to it vs. a huge stadium like the Fleet Center. And I think part of the reason Kevin's crew chose these smaller venues is because Bobby used to play the same sizes to feel more in touch with the audience.

The place really felt electrified. There was a huge range in ages, from twentysomethings to the baby boomers who experienced Darin first-hand to a lot of senior citizens. A lot of couples. I was wearing my mother's Austrian crystal bracelet, and when I was talking to her about cleaning it and making it shine more, the woman next to me pulled something out her purse, put it on her wrist, and showed it to me. She had the same exact bracelet! So we started chatting. I asked her if she was there for Kevin or Bobby, and she said both, although she had always loved Bobby Darin, and never missed his TV show when she was a kid. Then she asked me if I thought we'd be able to rush the stage (joking, of course.) I told her we'd probably get arrested and told her what happened at the Tom Jones concert when the 20-something girls kept getting up on stage and hugging him, and she laughed.

The stage was really small - so small, in fact, that the band took up most of it. There was space in the center and on the right side, which made me feel fortunate that we got tickets on that side. At 7:40 or so, the band finally started up (and I recognized the intro from a live Darin CD that I have), and the piano player in the band introduced Kevin. The crowd (including me, of course) went nuts when he materialized on stage. He was looking very dapper in a traditional tux and even better in person than on film. He looked about the height I thought he was (5'10" I'd guess), and I was happy to see after making so many movies where he had to pack on pounds (the beginning of American Beauty, and The Shipping News) that he was slim, svelte, and trim! No doubt he lost weight to play Bobby and decided to keep it off for good. I just thought he looked fantastic. He looked healthy, youthful, relaxed, yet also raring  to go and give us a great show, which he delivered.

He dove right into "Hello Young Lovers", then he moved his music stand away from the stage a bit, because he felt that it was blocking the view of the people sitting there, and commented that he was sure when they got their tickets they weren't expecting a billboard in front of them. He talked in between songs and you could tell he had a good relationship with the band. The piano player was Roger (I think his last name was Keller.) Kevin said that he worked with Bobby extensively and toured with him, and that he had cowritten the theme to "All in the Family". Kevin talked about how important "Beyond the Sea" was to him and how important he felt it was to put Bobby back in the spotlight after all this time. He also plugged Bobby several times during the evening, explaining that in no shape, form, or way did he actually think that HE was Bobby Darin up there. He said no one else could ever come close. He also plugged the "Mack is Back" DVD and said that Bobby's greatest hits album was moving up on the Amazon.com charts.

His voice was strong and he sounded better in person and closer to Bobby then on the soundtrack, which I purchased over the weekend. Some of the songs he did early on included "Fly Me to the Moon" (which I always associate with Sinatra. I'll have to look up Bobby's version), "Once Upon a Time" (which he dedicated to "a certain young lady in the audience"…no, not yours truly, unfortunately. Kate Bosworth, who plays Sandra Dee in the movie, was in the house, and I realized after the show that she's from the Boston area. Her family owns the Talbots store franchise), "That's All" (the original, slowed-down version, not the uptempo that Bobby recorded), "I'm Sitting on Top of the World", and "It Was Just One of Those Things".

The third of fourth song was "Mack the Knife". And I'm not kidding you, it brought the house down. He REALLY got into it and borrowed several cues from Darin. He got a standing ovation for that one. A group of people who were seated down front got in late, and Kevin joked, "I'm sorry. Apparantly you just missed the best part of the show." One of them yelled out, "Do it over again!" and he laughed.

I didn't shout out anything during the show - I didn't want to attract attention and bug the people around me. A woman down front summed it up for us all when she yelled out, "We love you, Kevin!" and he said, "thank you." A young man in the front row on my side put his fist up in the air and yelled, "You RULE!" which he got a kick out of.

My favorite part of the show was the comedy skit. If you are a fan of Kevin Spacey, you may know that he's quite exceptional at doing mimics of other famous people, very dead-on. Bobby Darin was the same exact way, and he would incorporate them into his acts. So Kevin did the "One for my Baby" sketch that Bobby was famous for. He'd pretend to be a drunk guy in a bar in L.A. who starts imitating all the stars. (When Kevin staggered around the stage at the start of this, I was instantly reminded of his drunk, Socrates scene in "The Life of David Gale".) He did perfect impersonations of Christopher Walken, Burt Lancaster, Al Pacino, Marlon Brando, Jimmy Stewart, Katharine Hepburn (!), and Jack Lemmon, who was a good friend of his. He ended the skit by singing like Jerry Lewis. I was laughing so hard that my cheeks literally started to freeze up and hurt! My mother was getting quite a kick out of it and the crowd just loved it. You could totally tell that Kevin was in his element, completely at ease with the audience and enjoying every minute up there. Like Bobby, he just loves performing and giving his audience a great time! What a treat that segment of the show was for me!

Then he launched into the folk songs…"If I Were a Carpenter" and "Simple Song of Freedom." He introduced "Freedom" by saying the song was self-explanatory. The audience cheered and clapped when he sang that initial line, "Let it fill the air, tell the people everywhere, we the people here don't want a war." Then at the end when the two back-up singers repeat "Freedom" over and over again, Kevin went crazy and was jumping and sliding all over the stage like a madman. He left the stage for a minute, then reappeared wearing a Red Sox Santa Claus hat. You can imagine the crowd's reaction. He danced for several minutes, and then was noticeably out of breath, saying, "It's true what they say…freedom is hard!"

He also did a song that Darin sang live in the early 70s called "Hi De Ho" (not to be confused with "Minnie the Moocher".) Hi De Ho is a rousing, funky number with a line in it about meeting the devil. In Darin's version, he'd refer to the devil as Spirew Agnew ("He showed me the paper, and told me where to sign…I said I'm sorry, Mr. Agnew, but I'm in too great a need of my mind…" Well, Kevin's version replaced "Mr. Cheney" for Mr. Agnew, and the audience went nuts! That was great!

He did the most lovely version of "Bridge Over Troubled Water", which was one of Bobby's favorites. And he did it the same way that Bobby used to perform it…a long, soulful version with a harmonica! He sang it so lovingly that I started to get tears in my eyes. That was another song that brought down the house.

He also performed one of my favorites, "Can't Take My Eyes Off of You", but he did that in Bobby's exact style, which I love. Same instruments, arrangements, etc. And danced and shimmied all over the stage. Pure bliss for me.

He came out at the end and did two encores…received several standing ovations. Now, there was one moment towards the end of the evening that was priceless. Kevin's mike started to have problems (he joked about it, saying they're still building the theater) and while they were fixing it, this little old lady at the front approached him with flowers and a copy of the Beyond the Sea soundtrack. She was dressed like she came out of the 60s. If you ever watch an old movie from the 60s or early 70s and notice how older folks are dressed, that is what she looked like. She had horn-rimmed glasses and this funny little hat on. He signed her CD, she exchanged some words with him, and then just as he thought he was getting away from her, she pulled on his arm and then quickly gave him a kiss on the cheek! He looked a bit sheepish and embarassed, but the audience loved it.

I'm so sorry for the length of this report, but it was an evening I'll never forget. I can honestly say I have an even deeper appreciation for Kevin's performances now, because some of them seem to be the complete opposite of the man I saw on stage last night. He has got to be the most talenttd man in Hollywood. This is a guy who was born to do what he does, and I'm so pleased that he and Bobby are getting the recognition that they deserve. No doubt Bobby Darin is watching everything going on right now and he must be happy. I know I never stopped smiling the whole time I was in the theater last night. I feel so lucky and blessed, as someone who missed Bobby Darin's original go on earth, to have been witness to what my very favorite actor presented last night.

If Kevin wants a recording and touring career for a while in lieu of film, I'm telling you, he'd have it in the bag. No question.

Thank you, Mr. Spacey, for coming to Beantown and giving us an incredible evening that will be seared into my memory forever. I couldn't fall asleep last night, and woke up in the middle of the night. I'm still high from the experience, and I don't feel like coming down yet.

Somerville Theater
December 13, 2004

~

The Boston Globe

Spacey casts a convincing spell during Darin tribute
By Steve Morse, Globe Staff 
December 13, 2004

Kevin Spacey's acting credentials may have drawn a sold-out house of curiosity seekers to the Somerville Theatre last night, but it was his singing that kept them there. Spacey, who stars as Bobby Darin in the upcoming film ''Beyond the Sea," is on a mission to reintroduce Darin to the public. He's on a 10-city tour performing Darin's songs in front of a big band orchestra. And it's no joke, because Spacey is so enthralled with Darin -- he used to sing Darin's songs into a hairbrush when he was a kid -- that the passion spilled over to the mixed-age crowd, which extended him a heartfelt standing ovation at night's end.

''It was worth the ride down from Bangor!" one woman yelled.

Spacey fielded the remark graciously, which was the way he conducted this entire 90-minute show. He kept the focus on Darin (''We're here to celebrate one of the finest entertainers we've ever had," he said early) and never talked about himself or gave the slightest hint that he was Hollywood royalty after making such films as ''American Beauty" and ''L.A. Confidential."

Performing in a tuxedo, Spacey conveyed all of Darin's personalities -- from teen idol (on ''Splish Splash," ''Dream Lover," and ''Mack the Knife" from the late '50s) to nightclub crooner (''Fly Me to the Moon" and ''My Funny Valentine") and late-period folk singer (Tim Hardin's ''If I Were a Carpenter"). All of these phases spanned a relatively brief career that ended in 1973 when the New York-born Darin died of heart failure at 37.

Spacey is 45, but perhaps buoyed by his acting instincts, he was convincing on each stop of Darin's career. Spacey opened with the snappy swing of ''Hello Young Lovers" and ''Sitting on Top of the World," giving the impression that this was not going to be a dull, formulaic evening. He didn't have the most powerful voice, but he was on pitch throughout and his expressiveness was superb. He made the songs come alive, whether finger-snapping through ''Mack the Knife," scatting to climax ''Beyond the Sea," or capturing Randy Newman's ''Sail Away." He also flashed Darin's mimicking ability on talking impressions of Marlon Brando, Jimmy Stewart, Katharine Hepburn, and Jerry Lewis.

It was thoroughly entertaining -- and Spacey added a number of Darin-related songs that are not in the film. He also was a surprisingly strong bandleader, though he had a lot of help from pianist Roger Kellaway, who backed Darin in the '60s. The rest of the group ranged from an 11-piece horn section (hired locally) to touring members entailing a guitarist, bassist, drummer, and two volcanic singers in Felice Hernandez and Amy Keys, who brought the house down with a gospel flourish on Simon & Garfunkel's ''Bridge Over Troubled Water." A job well done. 

Link

~

Fan review by Candis
Somerville Theater
December 13, 2004

Wow.  Really, that's all I have to say.  The concert tonight was AMAZING. 
And people wonder why I love Kevin Spacey so much.  He was simply
incredible.  Honestly, words cannot describe how much I enjoyed the night. 
He is such a tremendous performer.  He sounded great, he was funny, and he
seemed to be having a blast.  Just incredible.  Haha, he also dances just
like my dad, which I think is hilarious.

Some highlights - "Mack the Knife," predictably, brought the house down. 
Just an engaging, energetic performance.

He "sang" "One For My Baby," but he did imitations of various actors for
different lines, instead of just singing it.  He did Christopher Walken, Al
Pacino, Katherine Hepburn, Marlon Brando, Jack Lemmon, Jimmy Stewart, Burt
Lancaster, Jerry Lewis, and probably some more, but I don't remember.  I
always knew he was a great mimic, but to see him do it in person was
incredible.  Apparently, Bobby Darin was also a great mimic, and used to
sing the song the same way, but he did different people, like James Cagney
and others.  Absolutely hilarious.

He surprised me by singing "Fly Me to the Moon."  Haha, I think my sister
got excited about that one because it was actually a song she knew, since my
dad and me are both huge Sinatra fans.

He sang "Bridge Over Troubled Waters," and it just blew me away.  I mean, I
knew he had a good voice, but I didn't know just how great it was until I
saw him sing all these different songs and different styles.  It's hard to
pick a favorite song of the night since there were so many good ones, but
this might be my favorite.  He even busted out the harmonica!  Dude is
talented.  The performance was just so emotional and energetic, and he put
so much of himself into it.  And it sounded GREAT.  Brought the house down.

"Simple Song of Freedom" seemed especially appropriate, considering the
state of world affairs right now.  It started out very simply, and just grew
and grew as the song went on.  My favorite part, though, was when he started
dancing at the end.  And he walked off-stage, and came back out wearing a
Santa hat that said "World Champion Boston Red Sox" on it.  I went nuts, the
crowd went nuts, it was incredible.  Seeing as how we are in Greater Boston,
it was a great move to make.  I loved it.

The first song he "ended" with before the encores was a medley that included
"Splish-Splash" and "Dreamlover."  I really loved his voice when he sang
"Dreamlover."  Not sure what it was, but something just made it special.

He really got into all the music.  His first encore song was "Hidy-ho" or
however you spell it, and dude was getting INTO it.  It was great.  He even
did the whole rock star yelling thing while jamming on the stage, and ended
in super rock star mode all crouched near the piano.  I loved it.

He was very gracious on stage, too, thanking the fans and deferring a lot of
the attention to Bobby Darin, since, in essence, this whole tour is a
dedication to Darin, and to try to get his recognition higher.  You could
really feel and see his passion for the project and Darin and the music,
which made it that much better.

I'm sure there were more highlights, and there were other songs I absolutely
loved, but at the moment, those few stand out.  Maybe the rest will come to
me later.

Apparently, Kate Bosworth was at the show.  She is apparently from around
here, so she came to this performance.  I guess that's kind of cool.

I was certainly surprised by the range that he exhibited.  I knew he would
sound good singing the standards, since his voice seems tailor-made for
those kind of songs, but he also sounded great on everything else.  He sang
standards, ballads, jazz tunes, early rock, folk...and it all worked.

He was also very entertaining when he was talking - cracking jokes,
interacting with the audience, telling stories - he was the quintessential
night club performer.  Haha, after one song, he came out and said something
like I forgot to say this earlier, and it's the third time this tour I've
forgotten to say it.  This just goes to show that you should never smoke
crack before a show.  Hahahaha, I damn near died.  Cracked me up it did.

His dancing was so funny.  I had so much fun just watching him on stage.  He
really dances like my dad, though, haha.  He is definitely a goofy white guy
trying to get groovy.  He was trying to move his hips while dancing with his
arms, snapping his fingers - practically my dad.  It was awesome.

Just an overall amazing performance.  Even though he played for nearly two
hours, I was still sad when it ended because I had so much fun.

Unfortunately, I forgot to get a camera before the show.  I really regret
that, since I would love some pictures to remember this incredible night. 
And when I got home, I had a great idea, too, but it's too late now.  I
should have called LJ at some point during the concert so I could've taped
some of it and had it forever.  Oh well.  The time has past.

I know that KS had a blast performing tonight, even as he deadpanned when he
explained his cheat sheets, "I don't usually do this for a living."  I also
hope that he had so much fun that he decides to do it again.  Time of my
life tonight.  I know that everytime I go to a concert, I say it was the
best one yet, but honestly, I think this was the best one.  I love
Hanson, and I love Something Corporate, and I love Paul McCartney, but I've
never loved any of them as much as I love Kevin Spacey.  And to see him in
person, being funny, entertaining, engaging, and more, was just beyond
incredible.  I mean, this lengthy entry can in no way truly express how much
tonight meant to me and how much I enjoyed it.  And I can only hope that I
can experience it again one day.

I really do love KS.  As an entertainer, anyway.  I obviously don't know
him, and I'm not one of those delusional fans that thinks they are
practically best good friends with a celebrity because they know a lot about
him, but he really does make me genuinely happy with his career and his art
and his performance.  And people can think I'm strange or weird or whatever
you want, but you can't truly understand how much joy he brings into my
life.  He obviously can't replace friends and family and all that jazz, but
he can certainly complement them and make my life that much better.  And I
hope he realizes that.  So thank you, Kevin Spacey, for making my life that
much better.  Thank you for tonight.


~

Fan review
The Wiltern LG
Los Angeles, California

by Lizzie Anne

I said I would post about the December 6th Kevin Spacey concert at The Wiltern in Los Angeles once I got back. It just took me a few days to get settled into reality at home again. The entire concept for BEYOND THE SEA can really get one lost in a powerful tale of one man's struggle to make his mark, and a difference, on this world.

That's the essence that Kevin Spacey wanted to bring to us with the film Beyond The Sea, extending into several concert dates performing tunes from Bobby Darin's career.

Well, the show was fantastic! My friends and I really had a blast. (Even for a special treat, we visited the Formosa Café prior to the concert!)

There have been some great reviews of the shows so far, including one of this LA show from Emily Blunt at her bluntreview.com site. Everyone has mentioned how great Mr. Spacey looked, right? He was just overflowing in sexy. He started out the show dressed to the T, but it did not take long to start sliding out of that jacket. It just got more fun as the night went on.

Some fun moves to witness, but actually the show often had a personal feel. He teased about awkward physical blocking issues, like moving the stool and/or mic cable around, preparing next comfortable set-up he would require. He mentioned that he guessed he would eventually need to hire someone to do it for him, which opened a flood-gate of audience members shouting out offers.

The show encompassed all of the tracks on the soundtrack if I am correct, with several other tunes Bobby Darin performed in his lifetime. Of course he was not offering an imitation, so it was not necessary to compare his every note and tone with how Darin had done. I did think there were a lot of classics that much like the CD, were not as favorite to me as Darin's originals. Still, I rather enjoyed his performance just the same.

He also was better in concert than on the CD. I read several good reviews, however one in LA was not as favorable. Some interesting points were brought up by the writer, but overall I had to say Spacey's performance certainly was not lackluster. While some songs seemed to be more laid back in delivery than others, (especially when the Darin performances of memory had more excitement to them) I felt Spacey gave the crowd a strong piece of himself without being over tenacious. It felt perfect all night, and all of the chosen set list was given justice.

LOVED his rendition of "Can't Take My Eyes Off Of You". He mentioned that he could not see **** out in the audience, with the stage lights in his eyes, asked at one point to have the house lights brought up.

"The sight of you leaves me weak. 
There are no words left to speak…"

I admit I felt his performance sounded much better in the folk tunes, especially If  I Were A Carpenter and the uplifting rendition similar to the television aired production of Darin's version of Bridge Over Troubled Water. You could feel the vibrato of the voices in harmony echo in your chest! I seriously could see him releasing an album of similar feel. I thought the big-band era tunes were certainly more my favorite, but I had forgotten how much I loved those Vegas-style-lounge-acts tunes of the late 60's and early 70's!

I really was impressed with the Space-cadettes! They were a wonderful component in the overall sound. I think Amy Keys and Felice Hernandez are their names. Also, Mr. Spacey introduced the drummer, Gregg Field. Great solo on his part as well, actually much like his overall performance that night, never overpower yet perfectly holding the tempo/rhythm throughout. It felt like everyone got off a beat right as he finished his solo, kind of suddenly on-the-one count, and they all look at him, and he just creates a half-second pause and pulls them right back in. As with any decent musician, the general public is not going to notice when you do what you do so RIGHT. The horn section was awesome too, and I really felt they should have had solos and introductions!

"As Long As I'm Singing My Song" was an upbeat performance! He hit the ending notes for the songs in fantastic splendor, much better than the soundtrack recordings, and I was pleasantly impressed – that passion was inspiring. Really fun covers of Just One Of Those Things, Hi-De-Ho, and Ace In The Hole (interesting mix on the Mercer/Darin lines).

The entire concert had perfect rhythm, and the band was quite good! The addition of Peter Cincotti joining a shared vocal with Splish Splash, was equally fantastic on the piano. "Just One of Those Things" was so awesome fun to hear and watch! He glided so quickly yet beautifully, and during the brief solo, he got downright funky, jumping all over the chords, (I thought he was about to go Brubeck on us!) He really was a nice addition, even if the show later on offered the same medley they have towards the end, including Splish Splash again.

Cincotti has a really great stage presence too, comfortable at his piano, seemed somewhat humble walking on and off. He didn't need to be, the crowd ate him up loving it!

Wonderful fun in Kevin Spacey's impersonation segment. Actually a take on Darin's similar concept, it was fun to see him play drunk and then roll into other characters. It's always a treat on talk shows to see Spacey do impersonations, so it was befitting to pay tribute to those moments when Darin held similar fashion. Great list from Spacey's best lineup:

Christopher Walken, Al Pacino, Marlon Brando, Marx Brothers, Johnny Carson, Burt Lancaster, Katharine Hepburn, Jimmy Stewart and Jerry Lewis (of which at that point I laughed so loud I almost fell over).

There was also a mentioning of how Bobby Darin used to imitate Robert Mitchum's facial expressions, but could not mimic his voice, and played it off as a joke.

When Mr. Spacey dedicated "Once Upon A Time" to the memory of his Mom, it made the moment quite touching and sad, yet endearing. He told us the night prior would have been his Mom's 73rd birthday, and mentioned that his family had been to the show the night before.

Also, I cried during Simple Song Of Freedom, and you could feel the feeling in the room, the agreement there seemed to be with those words. He sat down afterward to take a moment joked that "Freedom is tiring", and as that became humorous, it lightened back up the mood, and we were able to quickly let go of that previous emotion into fun again.

Over all, his personal story of his passion for the work, especially extending his gratitude to so many in the audience that "held down the fort" of their production company while he was making the film, was a nice touch.


The end was not enough, so encores were well in order. Wonderful stirring feel to the closing Curtain Falls, just like the cd, when he says good night, you realize how sad it is that we no longer have the essence of Bobby Darin with us in person. He is gone, and you spend that moment realizing it is OVER, reflecting quickly on the entire evening you just went through moments of his life. I can only imagine how the film must make you feel - considering I have not seen it YET. However, I felt this in effect listening straight through the cd, and it was more empowering of a moment at the final 'good night' of the show. So, I am sure I will be awe with tears by the end of viewing the film Beyond The Sea itself.

And alas, no 'tour' programs!
After the show I briefly met the band leader Roger Kellaway. He signed my BTS CD! I told him that I was SO jone'sin for a 'tour' program, and we got jack-squat-nada! He said actually they would have liked to have them, and he thought someone was working on that. He said it would still be nice if they were able to make one after the month long shows, which I agreed. Just a little late…. Even a paper program listing all the musicians and key crew would have been nice…

Before leaving for the evening, we met Dodd Darin and his family for a brief moment, but there were a lot of people wanting to speak to him, so we did not stay. I thanked him for being part of making the whole concept a reality, giving the okay for the movie and all the projects to go through. I felt the night was a good example of that. Everything about the Beyond The Sea project was important in bringing Bobby Darin's legend back to the forefront, while letting go of the desire to keep it sacred as it was untouched.

He told me thank you and said he agreed, that it took a while to come around, being protective of the legacy, but he agreed. He said he was pleased with Mr. Spacey's performance, and felt that his dad was too. I thought that was so touching.

And then my friends and I went back to the hotel and giggled while watching Kevin Spacey's television appearance taped earlier that day for the Tonight Show with Jay Leno.


Much to the dismay our wonderful loving men back home, we regretfully informed them of three accounts.

- We spent all our money traveling to LA to see Kevin Spacey in concert.
- We spent the night swooning over the idea of him singing to all of us.
- During said swooning, there were no pillow fights.

All silliness aside, I think Kevin Spacey makes one heck of an overall entertainer, and it was fun to re-live those tunes thinking back on Darin's career. We were having the time of our lives during the show, watching him having the time of his life performing it!

If you are near one of the cities this show will stop, and you visit this Beyond The Sea message board, I certainly hope you get to see that concert. It was a wonderful tribute - a true talent showcasing a legendary true talent. Is there anything he cannot do, or dream that cannot be accomplished? With passion, determination and hard work, I think not.

In seeing all of this idea to fruition of becoming reality, Kevin Spacey represents the essence of what was most powerful about Bobby Darin.

Live your dreams, now while you are here to do so.

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Kevin Spacey

Variety

Phil Gallo, STAFF

In concert, the tuxedoed actor captures Darin's phrasing and holds notes splendidly, yet never exerts a command of the material and far too often swallows words at the end of a line. Tonally, they are slightly different singers, part of which may just owe to the fact that Darin made his best-known recordings in his mid-20s and Spacey is a score older.

Also, Darin evolved from a teen idol with a novelty hit to crooner to folk singer, and in each persona shaped his voice to service the material. Spacey, whose previous singing was limited to summer stock, Juilliard and Chatsworth High School, doesn't have that luxury. 

But Spacey gets to deliver something Darin never was able to do in his 37-year lifetime -- a career retrospective that celebrates each moment with reverence and full-bore effort. Armed with stories of Darin's life and, of course, the ambitions of the film, Spacey was able to set each song in perspective, either historically or personally. 

Not surprisingly, the better known the song, the better the perf. Spacey opened with a bouncy "Hello Young Lovers," held notes splendidly on lively readings of "Mack the Knife" and "Beyond the Sea," and gave Tim Hardin's "If I Were a Carpenter" a record-perfect rendition. With guest Peter Cincotti, who plays Dick Behrke in the film, on piano and vocals, the two had a ball of fun with "Splish Splash." 

Yet by staying true to Darin's work, it meant the inclusion of some rather bombastic arrangements the singer used for TV perfs in the early 1970s when television aimed to soften the rockers and update the crooners. Hence, his versions of "Bridge Over Troubled Water" -- a song that's remarkably tough to sing convincingly -- Randy Newman's "Sail Away" and "Can't Take My Eyes off You" were nuance-free and dated in a cringeworthy way.

Helping bring the sound of authenticity to the evening was pianist and musical director Roger Kellaway, who worked with Darin throughout his career. On Jan. 18, he, too, joins Darin-mania with the release of the album "I Was There: Roger Kellaway Plays From the Bobby Darin Songbook."

Spacey will play Rose Hall in the new Jazz at Lincoln Center on Tuesday. The 10-show tour ends Dec. 26 and 27 in Las Vegas at the Stardust Hotel.

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Presented by Clear Channel and Budweiser. Reviewed Dec. 6, 2004.

Band: Kevin Spacey, Roger Kellaway, Gregg Field, Chuck Berghofer, John Chiodini, Amy Keys, Felice Hernandez, plus 11-piece horn section.

"This is all about putting the spotlight back on Bobby Darin," Kevin Spacey told the considerable crowd at the Wiltern as his 90-minute, all-Darin show was coming to a close. He has launched a short tour to coincide with the Lions Gate release of his Darin biopic, "Beyond the Sea," and its Rhino soundtrack, providing an evening of song that goes beyond the film to showcase the breadth of Darin's work. As reasonable facsimiles go, it's pretty entertaining.

Link

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KEVIN SPACEY TAKES LOVE OF BOBBY DARIN TO A WHOLE NEW LEVEL

Joel Selvin, Chronicle Senior Pop Music Critic
Tuesday, December 7, 2004

Talk about method acting. Not content to have merely produced, directed, written and starred in a movie about the life of vocalist Bobby Darin, Oscar-winning actor Kevin Spacey brought his stunning evocation of Darin's live act to the nightclub stage, where there are no retakes, no fancy camera angles and no stand-ins.

Appearing at Bimbo's 365 Club on Sunday, human dynamo Spacey is doing a whirlwind, 10-city tour in time to whip up enthusiasm for his film, "Beyond the Sea," which opens in theaters Dec. 29.

No one knew exactly what to expect, but tickets to the show were snapped up as soon as they went on sale and, outside the club on Sunday, people were offering hundreds of dollars for a pair.

About halfway through his 90-minute act, someone in the crowd screamed out in approval. "You're good," the voice yelled.

"The first reviews are in," Spacey laughed. "I'd take that -- 'You're good -- San Francisco Chronicle.' "

He isn't good -- he's great -- San Francisco Chronicle.

In a virtually flawless performance, Spacey miraculously channeled the sound, the spirit, the style of Bobby Darin, the neglected pop singing great who died at age 37 in 1973 after his heart, severely damaged by rheumatic fever as a child, finally gave out in the middle of an eight-hour surgery.

In his bizarre, fanciful movie, Spacey, who never looks fewer than 10 years too old for the part, sings as many as a dozen songs, quite impressively, in a tour de force performance as the late pop singer. But that's nothing compared with doing 90 solid minutes of material, rehearsed to a fare-thee- well with a swinging 18-piece orchestra under the baton of Roger Kellaway, onetime Darin musical director. A film star has many tricks to fall back on when making a movie. Out there on the stage at Bimbo's, Spacey was all alone, without a net.

Spacey's ear for Darin's voice is the highly refined tool of a master actor. He absorbed nuance, detail and the little ad libs with which Darin punctuated
virtually every performance. He copied Darin's trademark mike technique and swagger, but what he does goes far beyond mimicry.

There's a scene in "Beyond the Sea" where Darin is trying to explain to his wife, Sandra Dee, why he was leaving their home again to go out on tour. "Nightclubs are reality," he tells her, "not this phony movie stuff."

Like all obsessive performers, Darin only truly lived and breathed onstage. The audience's applause was love to him and he put his life on the line with every performance. It was like that for Spacey at Bimbo's, and that kind of emotional roller coaster can't be imitated or conjured.

He came out swinging with the up-tempo "Hello Young Lovers" that he used in the movie, breaking into Darin's signature, "Mack the Knife," on the third number, drawing out the familiar instrumental introduction while he sipped water and snapped his fingers until everyone in the crowd knew what was coming next. "Three guesses," he said.

He pored over the whole Darin songbook, unearthing nuggets such as "Ace in the Hole," "Sittin' on Top of the World" or "The Curtain Falls," the sentimental closer. Nor was he afraid to face up to Darin's schlockiest, loungiest tendencies -- his upbeat cover of Frankie Valli's "Can't Take My Eyes Off of You" or the overwrought version of "Bridge Over Troubled Water" were pure Darin at his '70s seamiest. He even re-created Darin's specialty number of "One for My Baby," complete with spot-on Darinesque impressions of Al Pacino, Marlon Brando, Johnny Carson, Jimmy Stewart and Jerry Lewis.

On top of his confident, bravura vocal performance, Spacey handled himself with immense dignity, kidding affably with the audience, handing out sincere show
business homilies and self-effacing asides ("I don't do this for a living," he said, apologizing to folks at a front-row table for blocking their view with his
music stand).


But he never lost the focus of his tribute. Spacey called it "my obsession with Bobby Darin," and early in the show he said that he considered Darin an unjustly ignored figure and that all he wanted to do was "put the spotlight back on Bobby."

This extraordinary encomium is practically without precedent in Hollywood. The two-time Oscar-winning Spacey is a big enough star to make his Bobby Darin movie happen. But he could have easily stayed home afterward, done a few phone interviews and checked the grosses in Variety like every other movie star would have.


That he wanted to put himself through the grueling, taxing challenge of going out in the nightclubs -- Darin's reality -- and actually doing Darin's act is an amazing testament to his beautiful obsession. That he did it so completely, totally and lovingly makes it all the more beautiful. This guy Spacey is one for the books.

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Concert review: Kevin Spacey channels Bobby Darin
By Pat Craig
CONTRA COSTA TIMES

The rap on Kevin Spacey is he's too old to play '60s pop idol Bobby Darin in the new biopic, "Beyond the Sea."

And, OK, there may be a little rust on his ring-a-ding-ding, and his forehead shoreline may be moving north, but when it comes to Darin, Spacey is a man on a mission, dedicated to bringing the singer, who died in 1973 at age 37, back into the spotlight.

His affection burst through big time Sunday night on the stage of Bimbo's 365 Club in San Francisco, where Spacey did a stunning musical tribute to Darin as part of a 10-city tour to promote the film scheduled for a limited release Dec. 29. And based on his performance Sunday, it doesn't matter what Spacey looks like, because he's captured the Darin personality.

Squint a little as Spacey bounds into, "Hello, Young Lovers," and the there is more than a passing resemblance. Listen, and you hear a bit of Robert Vaughn blended into the Darin sound -- but the soul and passion is 100 percent Darin.

Those of us who were too busy living the summer of love and Haight, more or less let Darin slip into the pop culture backwaters. He sang "If I Were a Carpenter" as what many saw as a tepid concession to the times that were a-changin.' But for the most part, Darin was looked at as the heir apparent to the Sinatra throne and the kingdom consisting of guys in white belts who thought grass was something you got your kid to mow every Saturday morning.

Watching Spacey perform, however, it becomes increasingly apparent Darin was a victim of the social bigotry of the era of peace, freedom and love. He may have donned a fringed jacket or tie-dyed vest, but he had been so strongly identified as one of "them," that not even writing a tune like "Simple Song of Freedom" could redeem him in the eyes of the Aquarian generation. And by that time, that generation had taken over control of the cultural agenda of the era and co-opted pop music.

There was no more room for the finger-snappin', lets have fun and fall in love sort of happy music that fueled any number of back-seat encounters. Instead, tunes had to be meaningful and relevant -- there was no place for fun when people were dying in 'Nam or anywhere else. It was a nearly fatal blow that relegated that sort of music to cabarets, the Broadway stage, and, eventually Branson, Mo.

And poor Bobby Darin seems to have taken the brunt of all this. It would have been interesting to see what might have happened if the congenital heart problems than plagued him all his life, had not proved fatal so early in his career.

What is immediately apparent in Spacey's tribute is Darin is a man supercharged by an audience. Performing is as important as air to a man like Darin, and he's willing to do anything to win the approval of his audience. It is not the sort of performance we are accustomed to seeing.

So, in one sense, Spacey's show, complete with an enormously tight band led by former Darin associate, Roger Kellaway, is a homage to old-style, pull-all-the-stops-out sort of show business. When Spacey's show started, at Bimbo's (which is a time warp in its own right), time stopped, and Spacey enchanted.

And that was the second fascinating thing about the presentation. Supposedly, the sort of show Spacey is performing around the country -- to sold out crowds -- isn't supposed to sell any more. Yet, the show is doing quite well, and the audiences, at least judging from the San Francisco show on Sunday, are crazy about it.

Certainly it would be possible to chalk the whole thing up to irony, coupled with the chance to see an Oscar-winner doing a nightclub show up close. And, probably, that's what brought many to the show in the first place.

But, by the third or fourth number, Spacey had the audience in the palm of his hand, and any previous irony was gone.

He performed the anticipated Vegas big-room numbers of the Darin era -- splashy, jazzy classics, such as "Fly Me to the Moon." But where he really scored well were in his covers of the Darin tunes that Spacey says have been part of his personal sing-in-the-car library for most of his life, and are certainly a big part of the soundtrack for "Beyond the Sea."

In fact, Spacey peppered his 90-minute show with tunes criss-crossing Darin's career, including the very early "Splish Splash," and "Dream Lover," which he turned into a fairly sophisticated ballad. He sang the later tunes, "If I Were a Carpenter" and "Simple Song of Freedom," but where Spacey sounded the most like Darin were in the mid-career songs, like "Artificial Flowers" "Clementine" and the classic "Mack the Knife."

People were loving the show, and Spacey was giving them all he had, to make his one-nighter at Bimbo's not only an exciting way to spend a Sunday, but a real tribute to the talents of the actor.

December 6, 2004

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MAP

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